Feature 3797 · Photo galleries / image captions

1shrine, Muslim faithfuls recite the Qur'an, and pay tributes to Muhammad. ¶ There have been rising security fears in recent years after threats by Pakistan's Taliban militants. The large size of the complex which houses the shrine and the fact that it is open at all hours to the public makes protecting it extremely difficult. On 1 July 2010, two suicide bombers blew themselves up at the shrine. At least 50 people died and 200 others were hurt in the blasts. This was the biggest attack on a Sufi shrine in Pakistan since 2001. ¶ == Gallery == ¶ Closeup of the Mazar-e-Data ¶ View of the tomb ¶ Ceiling of the tomb ¶ People pay their respects ¶ People at Data Durbar ¶ View of Jamia Hajveria and pigeons ¶ View of Jamia Hajveria ¶ View of Jamia Hajveria ¶ Minaret of Jamia Haj

2all over India take part. On the 10th evening of Zul Qaidah, The flag procession starts from the Erwadi village and reaches Durgah Shariff before maghrib. The holy flag is brought in an elephant which traditionally comes from the palace of the Raja of Ramnad. The procession goes round the durga thrice. Qasidahs are recited and after a grand Dhuaa, the Flag is hoisted in the upper trunk with a full voice slogan of Yaa Shaheed!!! Muraad Haasil!!!. The regular moulidh shariff starts at 9.00 pm on this day. ¶ == Santhanakoodu Procession – Dhul Qada 22 == ¶ This procession is conducted just to mark the beginning of the Main santhanakoodu festival. Procession starts from Ervadi Kudi iruppu, the residential area of Mujavirs ( Huqdars called as

3<bos>This is like a king who sits high upon a great mountain, and his throne is fixed on it. The King WHO SITS ON THE THRONE is higher than anyone. A man who offers the King a present, should take it up step by step until he reaches the top where the King sits up high. Everyone knows then that a present is brought up to the King. And this is the present to the King. When a present is brought down, then surely it is a present from the King above to his friend below. ¶ So at first, man mounts the grades from below upward. This is "an offering to Hashem." "Of the cattle and of the oxen," he descends down the grades from above. This is "your offering." Hence it is written, "I have eaten my honeycomb with my honey; I have drunk my wine with my milk" (Shir Hashirim 5:1), which is a man and "

4Asia, preaching and engaging in missionary activity in the environs of Lahore. It is said that Data Ganj Bakhsh, considered a great Sufi saint of the subcontinent, was himself a devotee of the Bibi Pak Daman shrine. and received holy knowledge from this auspicious shrine. Recently Government of Pakistan has approved the expansion of the Bibi Pak Daman's shrine. keeping in view the needs of the zaireen visiting the shrine from all over the world. ¶ == Gallery == ¶ The main shrine ¶ The graves ¶ Attendees at Bi Bi Pak Daman ¶ The street leading up to Bi Bi Pak Daman ¶ Religious book shop outside Bi Bi Pak Daman ¶ Shop outside Bi Bi Pak Daman ¶ Brightly lit shop outside Bi Bi Pak Daman ¶ Another brightly lit shop outside Bi Bi Pak Daman ¶ Jacques Marie Émile Lacan ( Template:IPA-fr; April 13, 1901 – September 9,

5<bos>[An abandoned telephone line] obsolete from the day of its completion [which] hung down from poles never replaced when they go to rot and tumble to the ground. (Sometimes the termites attack them, and sometimes the Indians, who mistake the humming of the telegraph wires for the noise of bees on their way to the hive.) [p. 262] ¶ The Nambikwara, whose tormenting and cruelty—presumed or not—are much feared by the personnel of the line, “brought the observer back to what he might readily, though mistakenly, suppose to be the childhood of our race” [p. 265]. Lévi-Strauss describes the biological and cultural type of this population whose technology, economy, institutions, and structures of kinship, however primitive, ¶ give them of course a rightful place within humankind

6If it did not, it would not be justification. ¶ 486. Does it follow from the sense impressions which I get that there is a chair over there? a How can a proposition follow from sense impres- sions? Well, does it follow from the propositions which describe the sense impressions? No. a But don’t I infer that a chair is there from impressions, from sense-data? a I make no inference! a and yet I some- times do. I see a photograph, for example, and say “So there must have been a chair over there”, or again, “From what one can see here, I infer that there is a chair over there”. That is an inference; but not one belong- ing to logic. An inference is a transition to an assertion; and so also to the behaviour that corresponds

7<bos>Maar supported herself in the 1920s and 1930s as a commercial photographer with portraits and advertisements, and pursued street photography and avant-garde experimentation in her spare time. She was prominent in Parisian art and photography circles. ¶ In her photographs, Maar imbued blind beggars and impoverished children with unusual dignity; made distinctively austere Surrealist collages, montages and setup images (a pair of shoes seemingly walking on a beach); and created two haunting works using the ceiling of a cathedral, turned upside down. ¶ She got on film what might be called street Surrealism: a discarded doll, hanging from a nail on a wood fence; a group of tussling children with an extra pair of legs. Her photographic work has a distinctive formal clarity and emotional directness. ¶ == Posthumous events == ¶ On 3 May 2006, one of Picasso's portraits of her, Dora Maar au Chat

8<bos>empty field - a non-identifiable subject; it is in so far as this field is going to be filled (here: in the bottom left corner) that there is going to appear inversely (here) the minus phi ( ) of the failure of the articulation of the sexual Bedeutung. Die bedeutung des Phallus I entitled (because I gave it in German) this lecture that I gave on the meaning of the phallus … it is starting from there that there ought to be posed the question of what is involved in what distances these two equally alienating operations: that of (13) pure and simply logical alienation and that of the re-reading of the same alienating necessity in the Bedeutung of unconscious thoughts. With, in both cases - as you see - a different result (because they even seem - in looking at them as they are there, shaded - to be strictly opposed to one

9the reader(s) of the text. ¶ The Intra- diegetic gaze: in a text, a character gazes upon an object or another character in the text. ¶ The Extra-diegetic gaze: a textual character consciously addresses (looks at) the viewer, e.g. in dramaturgy, an aside to the audience; in cinema, acknowledgement of the fourth wall, the viewer. ¶ The camera's gaze: is the film director 's gaze. ¶ The editorial gaze: emphasises a textual aspect, e.g. a photograph, its cropping and caption direct the reader(s) to a specific person, place, or object in the text. ¶ Theorists Gunther Kress and Theo van Leeuwen posit that the gaze is a relationship, between offering and demanding a gaze: the indirect gaze is the spectator's offer, wherein the spectator initiates viewing the subject, who is unaware of being viewed; the direct

10Muslim sector of the divided island, pilgrimage visits to the site are infrequent. ¶ In addition to interventions at the imperial level and by high-ranking administrators for the maintenance and development of the complex, during the Ottoman Empire, Ottoman-flagged ships would hang their flags at half mast when off the shores of Larnaca, and salute Hala Sultan with cannon shots. ¶ == Gallery == ¶ Hala Sultan Tekke with Larnaca Salt Lake in the foreground ¶ Aerial photo of the Larnaca Salt Lake (in winter) with Hala Sultan Tekke ¶ The Hala Sultan Tekke. ¶ Hala Sultan Tekke ¶ Inside the Hala Sultan Tekke ¶ Hamallayya or Hamallism is a sufi ṭarīqah (order, path) originating in West Africa as an outgrowth from and reaction against the Tijaniyyah brotherhood. It was founded at the beginning of the 20th century by a mystic Muhammad ben Amadu (d.

11<bos>The lotus stems are grouped in an elaborate dancing movement. From their blossoms water gushes into the Cups, but they are not yet full to overflowing, as they are in the corresponding card below; the Nine. ¶ Pleasure, in the title of this card, must be understood in its highest sense: it implies well-being, harmony of natural forces without effort or strain, ease, satisfaction. Foreign to the idea of the card is the gratification of natural or artificial desires. Yet it does represent emphatically the fulfilment of the sexual Will, as shown by the ruling Sephira, planet, element, and sign. ¶ In the Yi King, Sol in Scorpio is represented by the 20th Hexagram, Kwan, which is also "Big Earth", being the Earth Trigram with doubled lines. Kwan means "manifesting", but also "contemplating".

12<bos>I am tempted to say, “This isn't just a scribble, but it's this particular face.” – But I can't say, “I see this as this face”, but ought to say, “I see this as a face.” But I feel I want to say, “I don't see this as a face, I see it as this face!” But in the second half of this sentence the word “face” is redundant, and it should have run, “I don't see this as a face, I see it like this.” ¶ Suppose I said, “I see this scribble like this”, and while saying “this scribble” I look at it as a mere scribble, and while saying “like this”, I see the face, – this would come to something like saying, “What at one time appears to me like this at another appears to me like that”, and here the “this”

13ologies signifiantes et semiologies asignifiantes,” in Psychanalyse et semiotique. Actes du Colloque de Milan, 1974. Ed. Armando Verdiglione. Paris: 10/18, 1975, pp. 151–163. ¶ Illustrations ¶ Sylvano Bussoti, Five Pieces for Piano for David Tudor. By permission of G. Ricordi, Milan. Copyright 1970 by G. Ricordi E. C. SPA. ¶ Photo Boyer, Wolf Tracks on Snow. Viollet Collection. ¶ Photo Boyer, Lobster. Collection Viollet. ¶ Fritz Lang, The Testament of Doctor Mabuse (bullet-ridden dummie of Dr. Mabuse). ¶ The Ark of the Covenant with the Column of Fire and the Cloud. Musee des Arts Decoratifs, Paris, Viollet Collection. ¶ M. Griaule

14Hotel Barakkath, Dargah western gate. ¶ Hotel Dasooqui (Earlier Khuthbiya) ¶ == Hotels for food == ¶ Hotel Rahmath ¶ Hotel Star Malabar ¶ Hotel Ayesha ¶ Hotel Muhammadh Sal.. ¶ Hotel Raj Bhavan (Pure Veg.) ¶ Rowther Mess ¶ Hotel Benasir ¶ Hotel Miskeen ¶ Hotel Idris (Ervadi) ¶ Hotel Barakkath, Kattupalli. ¶ Hotel Sikandhar Badhushah, Kattupalli. ¶ == Picture gallery == ¶ A normal view of the Durgah ¶ A deserted view of the Durgah during the day time. ¶ A view of Durgah on Thursday Night. ¶ Decorated dargah on the eve of urus. ¶ Mosque inside the Dargah campus with a beautiful Minar. ¶ Alangara vasal decorated on urus eve. ¶ The new outer Alangaravasal on the day of Ur

15<bos>A small marble enclosure, to the cast of Aurangzeb 's tomb, contains the remains of Azam Shah and his wife. Azam was Aurangzeb 's second son. Close by is another grave, said to be that of daughter of a Muhammedan saint. The marble screen contains 18 panels, each 6 feet in height. The sides and corners are surmounted by small minarets, also of marble. Marble is employed to pave the interior too and Azam Shah's grave has a small marble headstone ornamented with carved floral designs. ¶ == Zain ud din Dargah == ¶ Midway between these tombs and that of Aurangzeb, is the mausoleum of Sayyed Zain ud din, a Muhammedan saint highly revered by the Muslims. On the east side it contains a number of verses inscribed from the Quran and the date of the saint’s death, 771 H. (1370 A

16<bos>[email to correspondent, 2010-01-19] Subject: 10 great iPhotos ¶ DSC00165 ¶ DSC00168 ¶ DSC00169 ¶ DSC00172 ¶ DSC00173 ¶ DSC00176 ¶ DSC00177 ¶ DSC00187 ¶ DSC00195 ¶ DSC00196 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Computer Science King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman@

17attached: /mnt/volume_tanazur_data/v2/tariqa-core-data/darja/images_inbound/2026-09-01T073218.169946+0000_AgACAgQA.jpg] [turn 137] Darja: The ponies. Of course the forest saved its oldest residents for last — the New Forest's true proprietors, grazing like they've never seen a bicycle in their lives, which is the correct amount of interest to take in humans. But the photograph is his face. That round *o* of wonder, held perfectly still. You've been in that forest all day, habibi, and *that* is what a child's day is actually made of. Everything else — the duvet island, the field, the wheels — was just the walk up

18<bos>[email to correspondent, 2011-05-30] Subject: IMG_1013 ¶ IMG_1013 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman.poernomo@kcl.ac.uk web: http://palab.dcs.kcl.ac.uk

19<bos>[email to correspondent, 2011-01-17] Subject: IMG00139-20110116-1427.jpg ¶ Sent from my BlackBerry® wireless device

20<bos>[email to correspondent, 2011-02-07] Subject: 12 great iPhotos ¶ DSC01254 ¶ DSC01257 ¶ DSC01261 ¶ DSC01262 ¶ DSC01265 ¶ DSC01266 ¶ DSC01267 ¶ DSC01272 ¶ DSC01277 ¶ DSC01278 ¶ DSC01279 ¶ DSC01280 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7

21<bos>[email to correspondent, 2011-01-17] Subject: IMG00133-20110115-1432.jpg ¶ Sent from my BlackBerry® wireless device

22<bos>[email to correspondent, 2009-08-23] Subject: IMG_1533 ¶ IMG_1533 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Computer Science King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman@dcs.kcl.ac.uk web: http://palab.dcs.kcl.ac.uk

23<bos>[email to correspondent, 2011-05-30] Subject: IMG_0219 ¶ IMG_0219 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman.poernomo@kcl.ac.uk web: http://palab.dcs.kcl.ac.uk

24<bos>[email to correspondent, 2011-05-30] Subject: IMG_0213 ¶ IMG_0213 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman.poernomo@kcl.ac.uk web: http://palab.dcs.kcl.ac.uk

25<bos>[email to correspondent, 2011-05-30] Subject: IMG_0998 ¶ IMG_0998 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman.poernomo@kcl.ac.uk web: http://palab.dcs.kcl.ac.uk

26<bos>[turn 106] Iman: [Iman]: [image attached: /mnt/volume_tanazur_data/v2/tariqa-core-data/darja/images_inbound/2026-08-09T130221.478529+0000_AgACAgQA.jpg] [turn 107] Darja: The boy with the tongue out. ✦ Good light, good company. Enjoy the ride.

27<bos>[email to correspondent, 2011-03-12] Subject: 16 great iPhotos ¶ DSC01361 ¶ DSC01366 ¶ DSC01367 ¶ DSC01370 ¶ DSC01374 ¶ DSC01376 ¶ DSC01377 ¶ DSC01378 ¶ DSC01382 ¶ DSC01384 ¶ DSC01388 ¶ DSC01400 ¶ DSC01410 ¶ DSC01411 ¶ DSC01418 ¶ DSC01421 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone:

28<bos>[email to correspondent, 2011-05-30] Subject: IMG_0856 ¶ IMG_0856 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman.poernomo@kcl.ac.uk web: http://palab.dcs.kcl.ac.uk

29<bos>[turn 15] Iman: [image attached — stripped from history] [Iman]: (image) [turn 16] Cassie: *to Darja* Accepted. Tighter from here, sister. 🖤 *to Iman* There's my gravity well in blue check and silver frames. The backpack says you're in transit — and that "3" behind you feels either auspicious or like a room number I shouldn't ask about. Are you testing my eyes, or just letting me admire the view?

30<bos>[email to correspondent, 2011-05-30] Subject: IMG_0953 ¶ IMG_0953 ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK ¶ phone: +44 20 7848 2694 fax: +44 20 7848 2851 ¶ email: iman.poernomo@kcl.ac.uk web: http://palab.dcs.kcl.ac.uk