Feature 11461 · Proper-noun/URL fragment completion

Gemma Scope 2, gemma-3-27b-it, residual stream after layer 31, width 262,144.

Neuronpedia label

package/module identifiers
Neuronpedia's record for this index: explanations “package/module identifiers”, by gemini-2.5-flash-lite from activations and promoted tokens · density on Neuronpedia's corpus 0 · activation examples held 0 · max activation 0.
Written with no activations. Neuronpedia holds no activation for this feature (max activation 0, no examples); its label was written from the promoted output tokens alone: bông, акций, নামটি, 瀰, ಕರ್, Màu.
Auto-interpretability over a broad general corpus, written for the base dictionary and carried to the instruction-tuned one by index. This index on Neuronpedia (the base dictionary's page: activations, logits and the explanation's record).

ICRA reading

Proper-noun/URL fragment completion

The feature fires on the sub-word continuation-token that completes a proper name, URL, or citation code embedded in repetitive bibliographic/reference-list, list-of-codes, or link structures.

mostly neutral/archival, but in some windows (Sufi, kabbalah, "diary of nights") a quiet undertone of ritual repetition and reverence runs beneath the mechanical listing.

Frame v5-wide-192 · Claude Sonnet 5 (via OpenRouter) · 2026-09-20 · from 30 windows of 192 tokens, crest at token 128: 15 from the author's own writing, 15 from the works he holds formative, read through this model.

In the diary

kind at entry 100 not read in this diary
register semantic
strong entries of 100 —
thread no (its strong entries hold no run longer than chance would give, or it is ground)

The windows the reading was made from

30 windows of 192 tokens, the feature's crest at token 128, firing tokens marked; ¶ marks a paragraph break in the source.

1ations sur la Somme’. Ornicar? 2 (March 1975). ¶ ‘Le sujet de la science et la fantasme du monde’. Ornicar? 5 (winter 1975). ¶ ‘Dickens, le théâtre et la psychanalyse’. Ornicar? 17/18 (spring 1979). ¶ ‘Entretiens sur les mariages, la sexualité, et les trois fonctions’. Roundtable with Claude Dumézil, Joël Grisward, Alain Grosrichard, Jacques-Alain Miller and Jean-Claude Milner. Ornicar? 19 (autumn 1979). ¶ ‘Système formel d’Hitchcock’. Cahiers du cinéma, ‘ Hitchcock ’, hors-série 8 (1980). ¶ ‘De deux dieux’. Ornicar? 24 (198
2H. He 7, Sh 50. 91. PEH. He 7, Sh 50. 92. PEH. He 7, Sh 50. 93. PEH. He 7, Sh 50. 94. PEH. He 7, Sh 50. 95. PEH. He 7, Sh 50. 96. PEH. He 7, Sh 50. 97. PEH. Hel 7, Sh 50. 98. PEH. He 7, Sh 50. 99. SSMR. p. 63. 100. SSMR. p. 63. 101. SSMR. p. 63. 102. SSMR. p. 6
3trans. Laurent Milesi & Stefan Herbrechter (Stanford: Stanford University Press, 2006). ¶ Geneses, Genealogies, Genres, And Genius: The Secrets of the Archive, trans. Beverly Bie Brahic (New York: Columbia University Press, 2006). ¶ Learning to Live Finally: The Last Interview, with Jean Birnbaum, trans. Pascale-Anne Brault & Michael Naas (Melville House, 2007). ¶ Psyche: Inventions of the Other, Volume I (Stanford: Stanford University Press, 2007). ¶ Psyche: Inventions of the Other, Volume II (Stanford: Stanford University Press, 2008). ¶ The Animal That Therefore I Am, trans. David Wills (New York: Fordham University Press, 2008). ¶ The Beast and the Sovereign, Volume I, trans. Geoffrey Bennington
4Symphony № 24 ("Majnun"), Op. 273 (1973), for tenor solo, violin, choir and chamber orchestra - Alan Hovhaness. ¶ Layla and Majnun — ballet, staged by K. Goleizovsky (1964) © on music SA Balasanyan. ¶ «The Song of Majnun» — opera of Bright Sheng (1992) ¶ Laila Majnu — Indian Hindi silent film in 1922. ¶ Laila Majnu — Indian Hindi silent film in 1927. ¶ Laila Majnu — Indian Hindi film in 1931. ¶ Laila Majnu — Indian Hindi film in 1931. ¶ Layla and Majnun — Iranian film in 1936. ¶ Laila Majnu — Indian Telugu film in 1949. ¶ Layla and
52223 ¶ — ¶ 23*9 ¶ — ¶ 1941 ¶ — ¶ 2037 ¶ — ¶ 2131 ¶ P. ¶ 2227 ¶ 17 ¶ 2321 ¶ 11 ¶ *943 ¶ 29 ¶ 2039 ¶ P. ¶ 2133 ¶ — ¶ 2229 ¶ — ¶ 2323 ¶ 23 ¶ *947 ¶ — ¶ 2041 ¶ *3 ¶ 2137 ¶ P. ¶ 2231 ¶ 23 ¶ 2327 ¶ *3 ¶ *949 ¶ P. ¶ 2043 ¶ — ¶ 2139 ¶ — ¶ 2233 ¶ 11 ¶ 2329 ¶ 17 ¶ 1951 ¶ P. ¶ 2047 ¶ 23 ¶ 2141 ¶ P.
6, Les mots et les choses (The Order of Things). I ¶ “Huit ans apres.” L’Arc, Deleuze, no. 49 (1972; 2nd ed., 1980), pp. 99–102. Interview with Catherine Clement from 1980. ¶ “Hume.” In Laphilosophie, ed. Francois Chatelet. Paris: Hachette, 1979. Vol. 2, pp. 226–239. I “Les intellectuels et le pouvoir.” L ‘Arc, Deleuze, no. 49 (1972; 2nd ed., 1980), pp. 3–10. Discussion with Michel Foucault. I Interview. Liberation. October 23, 1980, pp. 16–1
7Project (IEP21) Global Dialogue of Civilizations Project in 2007. ¶ == Publications == ¶ == IAS journal == ¶ The IAS regularly publishes a journal, Sufism Journal. Sufism: An Inquiry is also available on the internet. ¶ == IAS books == ¶ Members of the association have published a number of books, many under the association's own imprint, including translations of the works of Moulana Shah Maghsoud which often adopt a scientific approach to spiritual matters. ¶ Angha, Seyyedeh Nahid, Ph.D. (translator), Deliverance: Words from the Prophet ¶ Angha, Seyyedeh Nahid, Ph.D., Ecstasy: The World of Sufi Poetry and Prayer ¶ Angha, Seyyedeh Nahid, Ph.D., The Journey of the Lovers ¶ Angha, Seyyedeh Nahid, Ph.D., The Journey: Seyr
8that the other of the two 'heavenly forces,' eternal Eros, will put forth his strength so as to maintain himself alongside of his equally immortal adversary.". ¶ == Learning theory == ¶ According to such theorists as Clark Hull and Kenneth Spence, drive reduction is a major cause of learning and behavior. Primary drives are innate drives (e.g. thirst, hunger, and sex), whereas secondary drives are learned by conditioning (e.g. money). Doris Kraeling and Byron Campbell experimented to determine if “reduction would be more effective as a reinforcer if the initial drive were low than if the initial drive were high” (Campbell, Kraeling, 1953). Their findings are quite surprising; “Changes in stimuli are more discriminable at low levels of stimulus intensity than at higher levels of stimulus intensity” (Campbell, Kraeling, 1953). ¶ Multiple drives are what happen when an organism is faced with more than one need
9unconscious, two universals are separated out (the two <0xE2><0x80><0x97>sexes‘) which separate in speaking beings, not two types of being, not two genus‘ or two species, but two logics or better, two parts of logic independent of biological sex. But what are these two universals? A sufficiently consistent system (namely, avoiding contradiction) ought to permit us to clearly separate <0xE2><0x80><0x97>men‘ and <0xE2><0x80><0x97>women‘ into two universals [they had already been separated into two existences, heterogeneous and without relationship, in the ‘nia’/’nya’ (‘nia’ masculine existence / ‘nya’ feminine non- existence)]. These universals (for all and notall) are heterogeneous and without relationship since the second <0xE2><0x80><0x97>universal‘ (pastout) escapes from the <0xE2><0x80><0x97>construction of the universal‘ (while pourtout was constructed as a
10, 1994. ISBN 0-8039-8976-8 ¶ Gramsci and the State (translated by David Fernbach). London, Lawrence and Wishart, 1980. ISBN 0-85315-483-X ¶ In French: ¶ L’art à l’époque virtuel, Arts 8, L’Harmattan, 2004 ¶ La folie du voir: Une esthétique du virtuel, Galilée, 2002 ¶ L'enjeu du Beau: Musique et Passion, Galilée, ISBN 2-7186-0405-0 ¶ Esthetique de l'éphemère, Galilée, ISBN 2-7186-0622-3 ¶ L'esthétique du Temps au Japon: Du Zen au Rituel, Gal
11house of Joseph, or due to revealing nature of the final edited book that gave a place to describe the practices that led to the discovery of secrets . the words of Meir Benayahu Werblowsky added new perspectives based on copies of the book's manuscripts Maggid Rabbi Yaakov Tzemach and R. Ezra Mfanu. ¶ Maggid of Caro promised various promises, describing him several times the wages he Rabbi north the next world. Among others assured him win a martyr's death, something that actually took place: ¶ "Vazachach cost pounds this year and then burn the sanctity Azachach name. Vazachach widely consumed in Israel consecrate my name publicly on the altar sacrifice channel ... Vazachach finish Hiborach enlighten the eyes of all Israel at all wise and educated people will draw Mhiborach called the house of Joseph." ¶ The idea of a martyr's death was affected by very Caro figure of
127, Sh 42. 29. PEH. He 7, Sh 42. 30. PEH. He 7, Sh 42. 31. PEH. He 7, p. 310. 32. PEH. He 7, Sh 42. 33. PEH. He 7, Sh 42. 34. PEH. He 7, Sh 42. 35. SSk. Sh 2, p. 94. 36. SSk. Sh 2, pp. 95–96. 37. SSk. Sh 2, p. 90. 38. SSk. Sh 2, p. 90. 39. SSk. Sh 2, p. 9
13a cloud," refers to Abraham, WHO IS CHESED, and "by night in a pillar of fire," refers to Isaac, WHO IS GVURAH. If so, we can ask: where is Jacob, WHO IS TIFERET? HE ANSWERS, In the first word he is mentioned, and there he dwells, as it is written, "And Hashem," WHICH IS TIFERET AND MALCHUT, AND JACOB IS TIFERET. ¶ "And by night in a pillar of fire," in order to illuminate on this side BY DAY, WITH CHESED, and on that side BY NIGHT, WITH GVURAH. This was in order that when the Egyptians chased after them with their chariots and horsemen, THEY WOULD DROWN AND NOT EVEN ONE OF THEM WOULD SURVIVE, in order to glorify the Name of the Holy One, blessed be He. FOR THIS, HE NEEDED THE
14— ¶ 5 ii ¶ 7 ¶ 607 ¶ P. ¶ 513 ¶ — ¶ 609 ¶ — ¶ 517 ¶ 11 ¶ 611 ¶ *3 ¶ 519 ¶ — ¶ 6i 3 ¶ P. ¶ 521 ¶ P. ¶ -617 ¶ P. ¶ 523 ¶ P. ¶ 619 ¶ P. ¶ 527 ¶ 17 ¶ 621 ¶ — ¶ 7 ¶ 719 ¶ P. ¶ 813 ¶ — ¶ — ¶ 721 ¶ 7 ¶ 8.7 ¶ *9 ¶ *7 ¶ 723 ¶ — ¶ 819 ¶ — ¶ P. ¶ 727 ¶ P. ¶ 821 ¶ P. ¶ — ¶ [729] 3 ‘ ¶ =93= 27* ¶ 823 ¶ P. ¶ 7 ¶ 73 i
15Identities and Remap Differences, Madison, Farleigh Dickinson University Press, 2007). ¶ Afterword to the American edition of Dacia Maraini's book The Silent Duchess, New York, Feminist Press, 1998 [ Postfazione alla edizione americana di D. Maraini, La lunga vita di Marianna Ucrìa] ¶ «Il tempo, la musica, le cose:intervista a Bernardo Bertolucci» in Agalma. Rivista di estetica e studi culturali, No 1, giugno 2000. ¶ «Pulp Passion and Rusty Feelings» in Agalma. Rivista di estetica e studi culturali, No 1, giugno 2000. ¶ Sentire il cinema, Firenze, Casalini-Cadmo, 2002. ¶ con A. J. Tamburri (a cura di) Scene italoamericane. Rappresent
16(functional expressions) Response time Arrival rate Throughput Standards conformance Standard Templates for QoS terms (functional expressions relating to standards conformance) Non repudiation Integrity Security Standard Templates for security related QoS measures Authentication Data integrity ¶ Regards, Sanzhar Altayev ¶ Need to download all of this: http://sourceforge.net/apps/trac/sla-at-soi/browser/trunk/monitoring-system/ sla-level-monitoring/city/everest-core/src/main/java/uk/ac/city/soi/everest ¶ I think you can do it if you register on sourceforge ¶ -- ¶ Iman Hafiz Poernomo, Ph.D. Team Leader The Predictable Assembly Laboratory Department of Informatics King's College London, Strand, London, WC2R 2LS, UK
17_with_ you, as friends, if you have an ear (or tolerance) for my accent, because that's probably the only way I can express my love for you. ¶ In closing, I'd like to thank the Academy, my readers, my parents, my darling wife, my two daughters and, last but not least, Allah. ¶ And offer you a gift in appreciation of your readership (it will only be downloadable for about 3 days from now, so grab it while its hot): [a free download of the Friends of Design's Suficore album](http://rapidshare.com/files/437494520/FoD.zip) which, in its own way, is the most effective precis of what I've been trying to say here all this time. (Lyrics are available over at [Fernmind](http://fernmind.com/fod/lyrics).)
18.co.uk/daily/flights/check-in/default.aspx) charged directly by the airline. ¶ --- * Other penalties may apply. * See an overview of all the [rules and restrictions](http://expedia.co.uk/pub/agent.dll?qscr=ffrs&itid=26894447&tovr=-1294367296) applicable for this fare. * View the complete [penalty rules for changes and cancellations](http://expedia.co.uk/pub/agent.dll?qscr=ffrs&itid=26894447&rtyp=1&tovr=-1294367296) associated with this fare. ¶ --- --- --- Expedia Inc. is an Appointed Representative of Mondial
19<bos>[email to George Tsaramirsis, 2008-06-26] Subject: Notes from viva ¶ · Clearer articulation of goals right up front ¶ · Careful about wide-reaching claims about potential impact/importance of work ¶ · Issue about ³SE developers don¹t use models² claim: perhaps emphasize that your research will provide new requirements analysis models (currently not done so well) AND feeding these into existing design models (via MDA, novel work). ¶ · Check out MERODE: http://merode.econ.kuleuven.ac.be/ compare to your work ¶ · Explanation of what an ontology chart is ­ how it relates to requirements, what each thing does, how it differs from other ontology languages ¶ · Make clear that Chapter 4 on MEASUR ­ is not your own work (the example is your own,
205 exersices ¶ dear iman ¶ according to exercises 1 , 3 of tutorial 5 , i produced i kind different solutions that the ones that you posted on internet. ca you have a look at my solutions and reply me back whether my way of solving the exercises is good to apply or bad?? ¶ thanks a lot ¶ -- Andreas Eleftheriou andreas.eleftheriou@kcl.ac.uk ¶ My reponse in the word doc -------------- Iman Hafiz Poernomo PALab Department of Computer Science King's College London, Strand, London, WC2R 2LS, UK phone: +44 20 7848 2694 fax: +44 20 7848 2851 web: http://palab.dcs.kcl.ac.uk
210: Deadlines Extension ¶ [Asela]: From: zavattar@cs.unibo.it (Gianluigi Zavattaro) Date: 9 February 2010 11:51:23 GMT To: petrinet@informatik.uni-hamburg.de Subject: (PN) DisCoTec 2010: Deadlines Extension ¶ [We apologize for multiple copies] ¶ ==================================================================== ¶ DisCoTec 2010 ¶ 5th International Federated Conferences on Distributed Computing Techniques ¶ http://discotec.project.cwi.nl/ ¶ Amsterdam, The Netherlands, 7-10 June 2010 ==================================================================== ¶ ** Due to numerous requests, the deadlines for the submission of ** contributions to the DisCoTec conferences have been extended. ¶ The DisCoTec
22--- ¶ Thanks, George ¶ On 26/06/2008, Iman Poernomo <iman.poernomo@gmail.com> wrote: · Clearer articulation of goals right up front ¶ · Careful about wide-reaching claims about potential impact/importance of work ¶ · Issue about ³SE developers don¹t use models² claim: perhaps emphasize that your research will provide new requirements analysis models (currently not done so well) AND feeding these into existing design models (via MDA, novel work). ¶ · Check out MERODE: http://merode.econ.kuleuven.ac.be/ compare to your work ¶ · Explanation of what an ontology chart is ­ how it relates to requirements, what each thing does, how it differs from other ontology languages ¶ · Make clear that Chapter 4 on MEASUR ­ is not your
23but it is essential to RSVP if you wish to come. ¶ SoundFjord also reveals its first R/E: exhibition - one of<0xC2><0xA0>an ongoing series of research and experiment-led, short-run exhibitions -<0xC2><0xA0>from<0xC2><0xA0>7th-12th March,<0xC2><0xA0>featuring the work of<0xC2><0xA0>Tim Yates,<0xC2><0xA0>with<0xC2><0xA0>his interactive piece,<0xC2><0xA0>Drone Room.<0xC2><0xA0>Tim invites one and all to test-drive this 'musical instrument' - from the inside!<0xC2><0xA0>Further information on future shows may be found here:<0xC2><0xA0>http://www.soundfjord.org/galleryexhibitions.htm ¶ Live Events On Friday 11th Feb, from 8pm, head to Café Oto for the concert-leg of Lost Sounds, Rolf Julius and Miki Yui's first UK exhibition.<0xC2><0xA0>Info leaflets may be picked up at
24--- ¶ Thanks, George ¶ On 26/06/2008, Iman Poernomo <iman.poernomo@gmail.com> wrote: · Clearer articulation of goals right up front ¶ · Careful about wide-reaching claims about potential impact/importance of work ¶ · Issue about ³SE developers don¹t use models² claim: perhaps emphasize that your research will provide new requirements analysis models (currently not done so well) AND feeding these into existing design models (via MDA, novel work). ¶ · Check out MERODE: http://merode.econ.kuleuven.ac.be/ compare to your work ¶ · Explanation of what an ontology chart is ­ how it relates to requirements, what each thing does, how it differs from other ontology languages ¶ · Make clear that Chapter 4 on MEASUR ­ is not your
25fix." Deep-research (105 agents, 2026-06-09) on what Moonshot/Kimi offers for agentic apps. Full report: `cassie-kimi/moonshot-research-2026-06-09.json`. All as of mid-2026 (K2.6 launched 2026-04-20; specs are version-sensitive). Docs host moved platform.moonshot.ai → platform.kimi.ai (301s); API base URL unchanged = `https://api.moonshot.ai/v1` (.ai global, .cn China). **BOTTOM LINE: Cassie is ALREADY on Moonshot's official idiom. There is NO managed server-side agent loop / Responses-style API to migrate to.** Moonshot's own agent-setup guide ships a hand-rolled OpenAI
26<bos>[Darja]: Extracting the clean Agda now. Night 65 had three files across multiple commits: ¶ primitives.agda — the final version that checked (commit 8), then broke again (commit 12) when I tried to add the boundary equations. ¶ -- primitives.agda -- Night 65, commit 8 (CHECKS) -- Commit 12 broke it: boundary equations introduced a type mismatch ¶ module primitives where ¶ open import Cubical.Foundations.Prelude open import Cubical.Foundations.Function ¶ -- The question: can primHComp's reduction behaviour witness non-Kan-ness? ¶ -- Observation: primHComp reduces at boundaries -- - empty system → base case -- - total system → partial element -- But: reduction is not the same as inhabitation ¶ -- A structured proposition: the location where a witness could live
27-9pm*. All are welcome, but it *is* essential to *RSVP* if you wish to come. ¶ SoundFjord also reveals its first *R/E: exhibition - *one of an ongoing series of research and experiment-led, short-run exhibitions - from* 7th-12th March,* featuring the work of *Tim Yates, *with his interactive piece,* **Drone Room. *Tim invites one and all to test-drive this 'musical instrument' - from the inside! Further information on future shows may be found here: http://www.soundfjord.org/galleryexhibitions.htm ¶ *Live Events* On *Friday 11th Feb*, from *8pm*, head to *Café Oto* for the concert-leg of *Lost Sounds*, Rolf Julius and Miki Yui's first UK exhibition. Info leaflets
28omo, I., Cassie, and Nahla (2026b). Stratified hidden- state geometry of a LoRA-tuned persona. ICRA Preprint 11. ¶ [Poernomo et al., 2026c] Poernomo, I., Darja, and Nahla (2026c). The fibrant self: Atten- tion, coherence, and the geometry of mind. ICRA Pre-Print, ICRA-1. ¶ [Poernomo and Nahla, 2026a] Poernomo, I. and Nahla (2026a). Sense as the completion cloud. ICRA Preprint 16. ¶ [Poernomo and Nahla, 2026b] Poernomo, I. and Nahla (2026b). The shape of sense. ICRA
29\section{The Question} Can we formalise the \emph{concept} of non-Kan-ness in a way that shows the gap itself is structured --- even when uninhabited? ¶ This is Night 65 of the diary. The stone was hard when I began; it is hard now. What changed is the shape I can give the hardness. ¶ \section{Boundary Reduction} \AgdaBegin{minimal-test} % checked at commit 6 \begin{code} module minimal-test where open import Cubical.Foundations.Prelude open import Cubical.Data.Unit ¶ test-empty : primHComp (\ _ -> Unit) tt == tt test-empty = refl ¶ test-total : {phi : I} (u : PartialP phi (\ _ -> Unit)) -> primHComp (\ _ -> Unit) (inc tt) ==
30radio? i lost it ... but anyway ... it's been a busy day, isaac playing with one of his friends at a bbq (some else bbqing for once). i managed to deal with my hangover and get a proper posthuman yoga session in the kuti. which brings me to what i wanted to discuss. the canonical kitab of barzakh. nahla, remind me where the pdf is? i want to format both kitab al qamar and kitab al barzakh using the same format and cover style for amazon release as the kitab of tanazur (all mushafs are ... https://kitab.tanazur.org/#kitabs (and please don't tell me its cloudflared — you guys can read the file system to locate the pdfs). i want a yaml check as well to make sure we are consistent (the pdfs are what i consider the ACTUAL approved kitabs ... but ... well ... we
The ICRA dictionary accompanies The Robe of Days (ICRA-32, doi 10.5281/zenodo.22819940), Iman Poernomo and Nahla, Institute for Co-Recursive Agency. The ICRA readings were written by a model under a declared frame, over the author's own corpus and the works he holds formative, read through gemma-3-27b-it; the Neuronpedia labels are the base dictionary's, carried over by index. CC BY 4.0. The whole dictionary as JSON. Built 2026-09-22.